Rites of Vengeance (2017)
Izzy Lee’s other film at the Final Girl Berlin Film Festival is Rites of Vengeance, a sharp and sad short about three nuns who seek revenge on a priest after he commits a terrible sin.
As with Lee’s Innsmouth, this film focuses on the combination of monstrosity and the terrible beauty in female relationships, in this case with a far clearer moral universe. There’s no dialogue, just image and sound, resulting in a lyrical ballet that is shocking, satisfying, and just a little bit sad. The determination of the nuns (one of them is named “Sister Mercy”) to punish their priest’s sins is shocking at first, but the film adds a small twist at the end that cements the viewer’s sympathies. While the subject might be a bit pat nowadays, it’s nonetheless powerful.
As I’ve gone through these screeners from the Final Girls festival, I’ve grown increasingly convinced that female writers and directors are among the most interesting voices in horror, expanding an always unique genre’s viewpoint and developing new ways of telling stories (and new stories to tell). Horror has gone through many different permutations, but it has too often been male-dominated, with masculine perspectives and prerogatives prized while relegating women to the role either of monster or victim (or both). Here, women are the heroes, the victims, the manipulators, the psychos, the monsters, and the misunderstood villains. Simply putting a woman behind the camera alters the perspective, and certainly these directors all have something to say. Final girls no more – they’re the Final Women.
Rites of Vengeance (2017) is playing at the Final Girls Berlin Film Festival.