Tag: Honor Blackman

The Avengers: Traitor In Zebra

Traitor In Zebra (Episode 02-11, December 1962)

Steed in Uniform

Traitor In Zebra or, as I like to call it, Steed In Uniform. This episode follows Steed and Cathy as they infiltrate a government facility currently at work on a new satellite tracking system. The system keeps on being jammed, and the Avengers are on hand to ferret out the real traitor. A man has already been arrested for the crime, but Steed’s not certain that he was the one that did it.

Traitor In Zebra is a middling but amusing episode that allows for both Steed and Cathy to step outside of their closed apartments and get to work in a new milieu. There’s an entertaining sequence in the pub, many gratuitous shots of Steed looking truly spectacular in uniform, and some excellent repartee. Macnee and Blackman have hit their stride as partners. Steed and Cathy evidently enjoy each other’s company by now, their earlier conflict turning to good-natured ribbing. Cathy responds to Steed’s insinuations with a well-placed glare, but neither does she seem to feel badly towards him.

I’ve found that I enjoy the Season 2 episodes with Blackman a bit more than the Season 3, when Steed especially begins to iron out his rough edges and the plots grow more and more outlandish. There is a likable noir-ish feeling to Season 2 that all but vanishes later on. Even the rough camerawork and at times stilted dialogue is charming. You can tell when actors miss their queues, contributing more to the sense that the actors embody their characters, and are forced to adapt to changing circumstances. Season 2 might be for the strong-willed Avengers fan, but it’s well-worth a watch, and Traitor in Zebra one of the more enjoyable episodes.

The Avengers: Death of a Great Dane

Death of a Great Dane (Episode 2-08, November 1962).

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Death of a Great Dane bears the distinction of being the first Cathy Gale episode to be later remade with Emma Peel (as The 50,000 Pound Breakfast). The Gale episode is far more hard-boiled, while the candy-coloring of Season 5 takes some of the edge off later on.

It all begins when a man gets into a car crash and the doctors discover 50,000 pounds worth of diamond in his stomach. Steed and Cathy come in to investigate, leading them eventually to a joke shop, a reclusive and ill millionaire named Alexander Litoff and his staff, and the death of one of the millionaire’s Great Danes. There are some highly enjoyable set-pieces: Steed and Cathy at a wine-tasting together, flirting shamelessly (that scene will also be replayed in Dial A Deadly Number, again with Emma Peel); the final sequence between Steed and Litoff’s butler Gregory; a rare domestic sequence of Steed and Cathy listening to music. Steed suspects that there’s something fishy about the millionaire and his staff, and so attempts to sell them back their diamonds, only to get himself deeper into danger.

The villains in this case are, unfortunately, not terribly interesting. In the Emma Peel remake, Litoff’s staff include a simpering sadist and a tough-as-nails female right-hand. In Death of a Great Dane, the villains are overplayed, with the single exception of Litoff’s butler (Leslie French), whose repartee with Steed is among the best parts of the whole episode. There’s also John Laurie as Litoff’s doctor.

But as always, the point comes down to Steed and Cathy and how much fun they’re having together.  And they are having a lot of fun. The episode most clearly delineates the inherent differences between them, the source both of their attraction and their tension. Steed distrusts the millionaire because he suddenly begins giving to charity, while Cathy claims that Steed looks at the world far too cynically. This conflict between Steed’s cynicism and Cathy’s humanitarianism will come up again and again in later episodes, as she begins to hone his rough edges and help to reveal the much more caring man beneath; as he cultivates her intelligence and energy to fight against villains. Their mutual attraction is palpable in several well-played scenes, their flirtations beginning to take on more energy and intensity. Macnee and Blackman are in top form, visibly enjoying themselves from one scene to the next.

There’s an energy and vitality to this season of The Avengers that won’t be quite matched in Season 3, but will come back in force when Steed switches partners and meets Emma Peel. Here the edges are still visible, making the season rougher, meaner and sexier. Death of a Great Dane gives us that edge in force.

The Avengers: Warlock

Warlock (Episode 2-18, January 1963).

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Warlock is a curious episode. Technically, it was supposed to be the introduction of Cathy Gale, but due to reshuffling in airtimes it wound up coming in the middle of the second series. Steed and Cathy’s first introduction was re-edited to make it appear as though they already knew each other. Nevertheless, I prefer to think of it in light of its original intent.

Warlock hints at some of the weirder aspects of The Avengers that will become more prevalent, particularly in the Emma Peel series. Steed goes to pick up some papers from a scientist, only to discover that the man has slipped into a coma and the papers are nowhere to be found. But it’s a bizarre sort of illness, and Steed quickly learns that it’s linked to an interest in the occult and black magic. This leads him, naturally, to the British Museum, where he meets Cathy Gale and learns a thing or two about the ‘realities’ of the occult. The episode cannily glosses over the supernatural elements with a psychological explanation: if you believe in black magic, you can be affected by it. Cathy joins Steed, finding herself in a black magic circle run by a warlock (Peter Arne), who hires out his services to shadowy figures and has apparently been involved in possessing the scientist.

The plot is flimsy enough, with a bit too much coincidence to make it all worth while. The episode unfortunately fails to follow through on some of the possibilities of a cult, including human sacrifice, bizarre incantations and Cathy’s potential possession by the warlock. Like one or two later episodes, it’s difficult to give credence to the pseudo-psychological explanations, and equally difficult to accept the apparent supernatural power of our neighborhood warlock. The finale, in which Steed has to rescue Cathy from the dastardly clutches of this terrible black magic circle, should have been exciting, but falls flat as well.

Still, Warlock can qualify as a middling episode. Steed and Cathy discover their rapport: Steed is impressed by her audacity in investigating things for herself; Cathy seems attracted to his profession and personal insouciance. There is a lovely little scene where a drunk Steed attempts to entice her up to his apartment to ‘discuss the case.’ Had this aired as the first Cathy episode, Warlock would have provided a lovely little blueprint for their future sparring sessions, as their tension and mutual dislike/attraction leaps off the screen. As it is, the episode falls flat in many ways, but paves the way for later and better incarnations.

“When I find a hunt worth joining, Steed, I like to be in at the kill,” she tells him. And she will be, for the foreseeable future.

The Avengers: Death On The Rocks

Death on the Rocks (Episode 2-10, December 1962).

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Death on the Rocks is a highly entertaining episode for two reasons: good writing, and the added value of Steed and Cathy posing as a husband and wife.

For once in this second series, the plot is actually a pretty good one. A ring of diamond smugglers attempt to control diamond trade in London by lethally enforcing their wills against family members of resisting merchants. This naturally means that Steed must pose a man just getting into the diamond trade, and that Cathy must pose as his wife. Hilarity ensues, although I halfway expected Steed to make greater use of the fact that they ‘need to be convincing.’ Ah, well. We will have to wait until series 3 for a Steed/Cathy kiss, I’m afraid.

Meanwhile, Steed’s partner Samuel Ross (Meier Tzelniker), whose wife died at the beginning of the episode, has problems of his own. His daughter Jackie (Toni Gilpin) is dating Nicky (David Sumner), a young jeweler gone bad who is a sort of point man for the smuggling ring. Nicky is what I like to call the ‘overconfident young man’ category; a type that Steed, as resident Alpha male, regularly has to put in his place. And he is an obnoxious, overbearing character, talking big but ultimately a coward. While we do not get a good rough fight between Nicky and Steed, there are a few moments when the older man simply smiles and waves Nicky aside like a particularly obnoxious dog. I’m sorry to say that the entire final fight sequence is somewhat ruined by someone crashing into the camera, visibly rattling it. By the time we get things back into focus, Steed and one of the baddies are on the floor and someone else has fired a gun.

Death on the Rocks rises to the top of the early Gale episodes. Cathy and Steed are equal partners in this one, and seem to be enjoying one another for the most part. There’s an entertaining subplot concerning the redecoration of Cathy’s apartment, although few chances for Honor Blackman to show off her live-television judo skills. But their interplay is marvelous, from Steed carrying Cathy around on his shoulders, to her justified anger when she discovers that he hasn’t been totally honest about the danger of the case. Cathy has not yet become Steed’s regular partner and the rough edges of their relationship still show. I admit that in some way I prefer the intensity of their early relationship, which is softened by the time we get to the end of the Cathy Gale series. Steed’s roughness makes his character incredibly dynamic – a well-dressed and honorable gentleman who will smile and cut your throat. His final words to Cathy seem to take her aback; Steed has begun to prove that he really does care.

The Avengers: Mr. Teddy Bear

I get really easily and wildly obsessed with things.  Case in point: my current adoration for the TV show The Avengers.  There are few TV shows from the 1960s that so easily and effortlessly marry entertainment, feminism and badass spy-fi plots. So, because this is my blog and I do what I want, I’m gonna start posting brief reviews of episodes as I watch, or re-watch, them.

If you want to get a basic idea of the outline of the show, the Wikipedia page gives a great overview.

Let’s begin at the (kind of) beginning with the first episode to introduce Cathy Gale (Honor Blackman), the first tough female partner of secret agent extraordinaire John Steed (Patrick Macnee).

MR. TEDDY BEAR (Episode 2-01, September 1962).

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Steed and Cathy face off against a villain known as Mr. Teddy Bear – and he’s not particularly soft or cuddly.  He’s an assassin for hire, murdering people with some pretty clever booby-traps.  The set-up? Cathy will pretend to take out a contract on Steed’s life in order to draw Mr. Bear out into the open.  The plan backfires and Steed ends up dead.  Kind of.  Not really.  He does get badly burnt, though.

For the first episode with Cathy – Steed had already been paired with a male partner for the entire first season, which is now lost to us except in script form – this one features some entertaining exchanges between the two.  From their first verbal sparring session as Steed debriefs Cathy, to their actual sparring sessions as Steed tries to debrief her in a different way, the set-up of the relationship of the two characters is what makes the episode pop.  And it needs a pop, because the camera work is low-budget and the sets quite obviously cardboard.  Already you can see where The Avengers exceeds many shows of its day – the quality of the actors is superb and the chemistry between Macnee and Blackman is sexual without quite crossing the line.  Steed’s established as a bit of a letch who nonetheless already has a dawning respect for his female partner. And Cathy … well, Cathy’s a badass, insulting her official superior, calling out an assassin, and generally expressing disapprobation when Steed survives the murder attempt.

So while the best part of this episode is Steed and Cathy, the writing is also quite excellent.  Mr. Teddy Bear is an admirable and creepy villain, while Steed’s posturing and overconfidence is nicely matched by Cathy’s quiet resolve.  If you must start somewhere with The Avengers, start here.